Olga Gontarska

Staże:

• Instytut Historii Narodowej Akademii Nauk Ukrainy (październik 2016, sierpień–wrzesień 2027, listopad 2018)

Rozdziały w pracach zbiorowych:

1. [wspólnie z Veroniką Pehe] Films without a viewer: Ukrainian filmmakers and memory of the neoliberal turn in the post-Soviet space, w: Remembering the Neoliberal Turn. Economic Change and Collective Memory in Eastern Europe after 1989, red. Veronika Pehe, Joanna Wawrzyniak, s. 247–263.

Artykuły naukowe:

1. Challenges of archiving contemporary Ukrainian cultural heritage (film production as a case study), „Australian and New Zealand Journal of European Studies” Special Issue („Independence. Archive. Prognosis. Ukraine in 1991–2021 and Beyond”), t. 14, z. 4, 2022, s. 4–13.
2. Between the Great Patriotic War and the Second World War: the image of the war in Ukrainian feature films after 1991, „Institute of National Remembrance Review” 3, 2021–2022, s. 273–285, DOI: 10.48261/INRR210309
3. Between the Politics of History and Practice: Ukrainian Struggles with the Past. The Example of the Permanent Exhibition of the National Museum of the History of Ukraine in the Second World War, „Institute of National Remembrance Review” 1, 2019, s. 265–281, DOI: 10.48261/INRR190108
4. Searching for inclusive history: Crimean Tatars in Ukrainian films, „Studia z Dziejów Rosji i Europy Środkowo-Wschodniej”, t. 53, Special issue, 2018, s. 199–215, DOI: 10.12775/SDR.2018.3.08

Recenzje:

1. Sander Brouwer (red.), Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield. Leiden/Boston: Brill Rodopi, 2016, „Journal of Soviet and Post-Soviet Politics and Society”, t. 4, z. 2, 2018, s. 153–156.
2. Memory and Change in Europe: Eastern Perspectives, Ed. by Magorzata Pakier and Joanna Wawrzyniak, Berghahn Books, 2015, „Ukraina Moderna” 23, 2016, s. 306–313.